Danny Boyle's new film, “Ink,” based on James Graham's stage play, has made its impactful debut in London, attracting a significant native audience. The movie explores the early days of Rupert Murdoch's media empire in Britain and his controversial transformation of The Sun newspaper.
“Ink” Makes its Mark at the BFI London Film Festival
On a recent Monday evening, the highly anticipated film “Ink,” directed by the acclaimed Danny Boyle and featuring stars Jack O’Connell and Guy Pearce, held its U.K. premiere at the BFI London Film Festival. This event followed its initial showing at the Venice Film Festival, marking a significant moment for a film deeply rooted in British history and culture.
Jack O’Connell, known for his roles in Sinners and 28 Years Later: The Bone Temple, expressed his eagerness to witness the film's reception among its natural audience. He emphasized, “This is a London film. If it doesn’t resonate here, it likely won't anywhere.” The movie portrays Guy Pearce as Rupert Murdoch during his entry into the British newspaper scene in 1969, and his subsequent acquisition of the struggling tabloid, The Sun. O’Connell plays Larry Lamb, the editor hired by Murdoch. Together, their efforts combined sensationalist reporting with populist rhetoric, transforming The Sun into a dominant, albeit controversial, force in British media. The film highlights how the strategies developed during this period were later applied by Murdoch to establish his vast U.S. media empire, including The New York Post and Fox News.
Reflecting on his character, Larry Lamb, O’Connell noted, “I don’t view him as an inherently ‘bad’ person. Perhaps he was simply overly ambitious. His passion lay in newspapers, and in pursuit of that, he might have overstepped some boundaries. While there were consequences, I wouldn’t label him as an outright villain.”
Guy Pearce, who embodies the media mogul, humorously remarked on his interest in meeting Murdoch for a meal, citing that Murdoch’s daughter, Liz, indicated her father’s approval of his casting. Pearce also believes the film will strongly connect with British audiences, especially those in the capital.
Director Danny Boyle, celebrated for films such as Trainspotting, Slumdog Millionaire, and 28 Days Later, elucidated the film’s central theme: an exploration of the origins of modern sensationalism. “One could debate whether they introduced this entirely new phenomenon or simply cultivated something already present within us,” Boyle stated. “But this film captures the genesis of the attention economy, the clickbait culture, the incessant demand for ‘What’s next? Swipe, move on.’ It's the spark of a fire that has now become an all-encompassing blaze. And while I’m uncertain if we will survive it, this film offers a compelling perspective on where it all began.”
Playwright James Graham echoed Boyle’s sentiments, highlighting “Ink” as a profoundly British narrative. He suggested that by deeply exploring its English roots and the 1960s context, the story will resonate globally. He noted, “This is essentially a story about how a group of disruptive individuals in the ’60s revolutionized something. The Sun, once the lowest-selling paper in England, became the world’s biggest, and I believe people will draw parallels with contemporary developments in tech and Silicon Valley – the culture of innovation, disruption, and challenging norms.” Boyle humorously compared Lamb and Murdoch’s achievement of outselling The Daily Mirror to “a local pub team defeating Real Madrid.”
Graham also expounded on the distinctiveness of Fleet Street. He explained, “No other nation has had its newspapers concentrated on a single street, surrounded by restaurants, bars, and a rich cultural scene. The allure and intensity, but also the gritty reality of that unique environment, truly captivates audiences worldwide.”
British actor O’Connell, who has also collaborated with Boyle on the 28 Years Later series, light-heartedly mentioned Boyle’s silence regarding their next joint venture, though he acknowledged their strong professional bond. When asked about films from the current year he would have liked to be involved in, O’Connell coyly expressed his admiration for Martin McDonagh’s dark comedy Wild Horse Nine.
The 70th BFI London Film Festival concluded its run from October 7-18, having commenced with the European premiere of Andrew Scott’s poignant drama, Elsinore. Other notable gala presentations included Wild Horse Nine, Artificial, Paper Tiger, Possible Love, Bunker, and La Bola Negra. The festival also featured numerous Screen Talks with prominent figures such as Andrew Scott, John Malkovich, Javier Bardem, Naomi Ackie, Ava DuVernay, Cynthia Erivo, Sofia Coppola, and Danny Boyle.
The London Film Festival's embrace of “Ink” signifies more than just a cinematic event; it's a profound cultural moment. The film’s exploration of media influence, ambition, and the genesis of contemporary communication challenges us to reflect on the stories we consume and the forces that shape public discourse. As Boyle suggests, understanding the past is crucial to navigating the "bushfire" of information that engulfs us today.
